PDF Ebook Oresteia (Oxford World's Classics), by Aeschylus ~ un-definedme

PDF Ebook Oresteia (Oxford World's Classics), by Aeschylus

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Oresteia (Oxford World's Classics), by Aeschylus

PDF Ebook Oresteia (Oxford World's Classics), by Aeschylus

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About the Author

Christopher Collard was Professor of Classics at the University of Wales, Swansea from 1975 until his retirement in 1996. He has published annotated editions of Euripides' Suppliant Women, Hecuba, and Select Fragmentary Plays

Product details

Series: Oxford World's Classics

Paperback: 320 pages

Publisher: Oxford University Press; 1 edition (January 15, 2009)

Language: English

ISBN-10: 019953781X

ISBN-13: 978-0199537815

Product Dimensions:

7.7 x 0.8 x 5.1 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#167,244 in Books (See Top 100 in Books)

Good book for class.

thanks

boring book. Only bought it cos Prof required it.

This is a compelling new edition of the Oresteia. It rivals all existing Oresteia's and perhaps comes closest to Lattimore's version in accuracy and completeness of text. It is my favorite Oresteian Trilogy alongside Peter Meineck's version.Christopher Collard preserves the intricacy of Aeschylus's language while keeping the drama moving naturally. He does not force poetry or ideas into Aeschylus nor does he subtract, edit or delete words from the text (as often is done and can be seen in Fagels's and Vellacott's translations). The poetry comes out magically by itself.How Collard wins over Lattimore's version though is through the translation. The realism of the drama, the sentences structures, and the speeches all form naturally and normally. In Lattimore, the speeches and the drama becomes congested, contricted and (unnecessarily) complicated through how he structures the wording and poetry of Aeschylus's text. Collard does not use the tired and old fashion English like Lattimore, nor does he update the idom by using modern American English or slang. You can't really pinpoint which language style he's using, but indeed it is beautiful, readible and contemporary English. It's like he has become a transparent mouthpiece for Aeschylus and not mask of his own creation.There are also some very intriguing and very interesting touches Collard does within the plays. Throughout are descriptive italic markings, brackets and hyphens, indicating detailed stage directions and emotive expressions. He freely uses lyric, prose, and verse in his translation as Aeschylus does in various settings and scenarios.His is the most scholarly version as it incorporates the most up-to-date findings and research into Aeschylus and the Oresteia. From original to copied manuscripts, he compared many ancient and modern editions of the Oresteia and so some of his version includes subtle changes and slight differences when compared to other translations. He informs you of missing lines and includes passages that appear as fragments in the originals, which have been glossed over or not noticed by other translators.His explanatory notes and introduction are immensely extensive. They include so much research and attention to detail that one wonders how one man could know so much about Aeschylus and the Oresteia!The Contents not only have 4 incredible essays on Aeschylus and the Oresteia, but also include summaries of the plots, text & translation notes, a massive bibliography, a chronology of Aeschylus' life, family trees, and even a map of ancient Greece!I believe it is safe to say that Christopher Collard is now the leading interpreter of Aeschylus, and a milestone in the history of Aeschylean translation and scholarship.

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