Download PDF Horoscopes for the Dead: Poems, by Billy Collins ~ un-definedme

Download PDF Horoscopes for the Dead: Poems, by Billy Collins

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Horoscopes for the Dead: Poems, by Billy Collins

Download PDF Horoscopes for the Dead: Poems, by Billy Collins

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Review

“The most companionable of poetic companions.”—The New York Times “Collins continues his penchant for writing witty, companionable verse that’s often rooted in everyday matters.”—The Wall Street Journal“Collins writes of time and death with humor and whirligig images and wordplay so unexpected and delectable, reading his poetry is like watching a magician transform ordinary objects—a coin, a card—into something breathtaking out of thin air.”—Booklist “This is the poet’s richest work to date.”—Newsday “Beloved, witty, smart, yet accessible.”—St. Petersburg Times “Billy Collins is one of today’s most popular poets, revered for his ability to evoke humor and heartbreak in verses both subtle and sagacious.”—Wisconsin State Journal

About the Author

Billy Collins is the author of nine collections of poetry and the editor of Poetry 180: A Turning Back to Poetry, 180 More: Extraordinary Poems for Every Day, and Bright Wings: An Illustrated Anthology of Poems about Birds. He was Poet Laureate of the United States from 2001 to 2003 and Poet Laureate of New York State from 2004 to 2006.

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Product details

Paperback: 128 pages

Publisher: Random House Trade Paperbacks; Reprint edition (March 20, 2012)

Language: English

ISBN-10: 0812975626

ISBN-13: 978-0812975628

Product Dimensions:

5.2 x 0.3 x 8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

59 customer reviews

Amazon Best Sellers Rank:

#536,755 in Books (See Top 100 in Books)

When I was teaching middle school English I used Billy Collinsâ€™s poetry to break students away from their dependence on Shel Silverstein and the notion that all poetry must rhyme. I found Mr. Collinsâ€™s poetry to be accessible, memorable, and relatable. Twelve years later, I still find that to be true, however, I must admit that as I read more of his poetry I marvel at the way he packs meaning into such seemly innocent scenes.When Horoscopes for the Dead was released in 2011, I picked up a copy of it out of my loyalty to a poet that has influenced my life and career; however, Iâ€™m embarrassed to say that it was placed on my shelf without being read, and I just found it while searching for another book to read.I somehow think Mr. Collinsâ€™s would like that scenario.This collection is the poetâ€™s ninth, and I think his best. Mr. Collins, as usual, gives us much to think about in these poems, and continues to be a master of the shift. It is his ability to move his reader between seemingly dissimilar ideas which has long been a strength as well as a trademark. It can be seen best in a poem such as â€œThank-You Notesâ€:Thank-You Notes"Under the vigilant eye of my motherI had to demonstrate my best penmanshipby thanking Uncle Gerry for the toy soldiers -little red members of the Coldstream Guards -and thanking Aunt Helen for the pistol and holster,but now I am writing other notesalone at a small cherry deskwith a breeze coming in an open window,"Then Mr. Collinsâ€™s shifts to general thank-you notes to all around him â€¦"thanking everyone I happened to seeon my long walk to the post office todayand anyone who ever game me directionsor placed a hand on my shoulder,or cut my hair or fixed my car."And then we shift into the main thought of the poem â€¦"And while Iâ€™m at it,thanks to everyone who happened to dieon the same day that I was born.Thank you for stepping aside to make room for me,for giving up your seat,getting out of the way to be blunt."Brilliant, absolutely brilliant! He will eventually recognize that he too will one day be â€œgiving upâ€ his seat for someone else to take. Thus, we are taken from a simple subject we all can relate to, being forced to write thank you notes, to something much more impactful, pondering life and death.There are numerous moments of self-discovery to be had while reading this volume, and I expect Iâ€™ll pick it up and reread it again and again. From a poem about dreaming people and birds have changed heads, but not bodies, to reading the horoscope of a deceased person and using that as a commentary on the individualâ€™s life, this collection ranges far and wide through the human experience.

I picked up a poetry book by Billy Collins years ago and, though I didn't purchase it then, I kept a mental note of his words. Now, I'm an obituary writer and this title grabbed my attention. I read only the first poem and was hooked, so I purchased the book.While that first poem, "Grave," is definitely a 5-star poem, not many in the book were for me. There were a handful of 5-star poems, a few 4-star and many others I won't remember (whereas "Grave" and a few others will stay with me). It's an easy read but nothing I'll be dying to read again. Part of me was disappointed there weren't more poems dealing with death (given the title, I assumed many would have this basis) but in fact a lot of them didn't really seem to go with the flow of the rest of them.

Billy Collins has said that the romantic poets killed off humor and replaced sex with landscapes. He also maintains that much poetry is about death and that we should read it for pleasure rather than analyzing it to death. (I believe that is a close paraphrase of what I heard him say about the poetry of Emily Dickinson in a recent radio interview.) He states, furthermore, that a poet should neither show all his cards nor place them all face down. This most popular of contemporary poets (United States Poet Laureate from 2001 to 2003) certainly practices what he preaches. Although many of the poems in his latest collection HOROSCOPES FOR THE DEAD deal with death, he doesn't forget to amuse us, throw in an erotic poem or two and make his poems accessible.The poem "Feedback" will make your smile: "The woman who wrote from Phoenix/after my reading there/to tell me they were all still talking about it/just wrote again/to tell me that they had stopped."The award for the erotic (with humor) goes to "Genesis" where the narrator wonders how it would have been if Eve had been created before Adam and considersWhat life would be like as one of your ribs--To be with you all the time,riding under your blouse and skin,caged with the soft weight of yours breasts. . .Mr. Collins often writes about dogs. I particularly like "Two Creatures." I submit it to the critics who find his poems not deep enough.And because her [his dog's] eyes always follow me,She must wonder, too, whyI shift from place to place,From the couch to the sinkOr the pencil sharpener on the wall--Two creatures bound by wondermentThough unlike her, I have never once worriedAfter letting her out the back doorThat she would take off in the carAnd leave me to dieBehind the solid locked doors of this house.Finally of the many poems on the subject of death "Grave" is hauntingly beautiful. The narrator visits the graves of his mother and father and asks them what they think of his new glasses. His mother says they make him "look very scholarly" but his father remains silent:But he would say nothing,And I could not find a silenceAmong the 100 Chinese silencesThat would fit the one that he createdEven though I was the oneWho had just made up the businessOf the 100 Chinese silences--The Silence of the Night BoatAnd the Silence of the Lotus,Cousin to the Silence of the Temple BellOnly deeper and softer, like petals, at its farthest edges.Mr. Collins, with I suspect a twinkle in his eye, says he is grateful to "George Green, who assigned most of these poems a passing grade." I would give them all an "A."

Sometimes a poem is read aloud, so it needs a good sound.Humor is appreciated.A poem that elicits sympathy for the poet adds meaning.The poems in this book have on or more of these characteristics

While Billy Collins is one of my favorite poets, I found very few original poem which was a little disappointing. I reread it anyway. He is so good with metaphors and just fun writing.

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